Arriraw full sensor DPXs

Pure Digital Services can now capture and render the .ari files from the Alexa and deliver full frame 3K DPXs at 2880 x 1620. This allows for more headroom for possible pan & scan within the 3K frame and when re-sized to 2K gives you sharper images.

Pure is now developing workflows for Productions worldwide who want to shoot Arriraw.

Pure 2010

Red MX and Epic data services

Pure Digital Services R3D services for 2010-2011.

.Pure Digital can deliver your R3d files as 4K DPXs in real time along with Blu-ray 1080 DVDs with viewing LUTs (Look Up Tables)

.Real time de-bayering abd decoding of raw files in full 4K resolution and delivered as DPXs

.Full SAN storage on set for your 16bit RGB 4K DPX material.

.Printer lights and colour timing for DPXs.

.Digital dailies with burn-ins.

.Full conforming tools and delivery for R3D files with EDL, XML and Avid ALE.

Pure Digital Services

Real time RAW workflows

Pure Digital Services - 2010

Raw to daily deliverables in real time.

Pure Digital Services solutions for onset processing includes the options for real time daily deliverables from raw cameras.

Alexa (Arriraw), Cinefrom SI2K, F35 S-Log, Red R3d can all be captured, processed and delivered in real time.

Through enormous investment in various post toolsets for on set workflows Pure can offer a digital data lab service for your camera of choice.

Pure can let you apply first light colour correction to your rushes, 3D LUTs and create Blu-ray HD dailies with LUTs for your daily review.

Pure Digital Services

Red R3d workflows - Real time 4K on set

R3d files created from both Red MX sensor camera and the new Epic can now be delivered as 4K DPXs on set in real time. With years of data workflow experience and with a team of VFX supervisors, Red technicians and full integration with post, Pure Digital Services can now create a real time enviroment for all your data requirements.

Pure Digital Services

Arriraw - D21 & Alexa

How is ALEXA ARRIRAW different from D-21 ARRIRAW?

The D-21 ARRIRAW has the white balance baked in, since back in 2002 we felt that it would be closer to the way film negative behaves. The EI setting is not baked in. The 2880 x 2160 pixel images (4:3 aspect ratio) are transported as 12 bit linear data.

The ALEXA ARRIRAW file format has neither the white balance nor the EI setting baked in. However, both white balance and EI that are set in the ALEXA are stored in the ARRIRAW header as metadata. This metadata will also include other information, including the green/magenta shift value (CC) that has been set in the camera. The 2880 x 1620 pixel images (16:9 aspect ratio) are transported as 12 bit log data, since this is a better way to transport ALEXA's wide dynamic range.

Both file formats can be transported via ARRIRAW T-link. The initial ALEXA ARRIRAW file format has been purposefully kept very close to the D-21 file format (both are 12 bit), since that means only minor modifications to the debayering algorithms used by the recorders and post tools. The recorders and post tools will be able to distinguish between D-21 and ALEXA ARRIRAW based on the metadata, so the whole thing is transparent to the user. In the future, we are planning other ARRIRAW formats to further exploit the capabilities of ALEXA.

Pure Digital supports Arriraw and the .ari file format from Alexa and D21

3D LUT Services

Let PDS create your own unique desired 3D LUTs for both offline material and viewing on set. Fully calibrated LUT options available or 3D viewing LUTs for on set comfort viewing.

PURE

Arriraw ready services

Full Arriraw 12bit services. Capture, transcode, deliver and store with PDS.

Active storage for LTO and SANs for the Arriraw files.

Let PDS create and deliver your images.

PURE