Monday, 13 February 2012
Twitpic for 2012 on Pure Digital Services
http://twitpic.com/photos/puredigitalserv
F65 SStP MPEG-4 SR and 16-bit RAW now supported
All dailies for the F65 are now being supported and delivered. Both the SStP SR HDTV format and 16-bit RAW are now all available for full dailies and VFX delivery as well as full location or facilities based archive and storage.
Let Pure Digital handle all your data requirements including full facility integration for you location data requirements keeping your projects live and active for the full duration.
Pure Digital Services 2012
Saturday, 11 February 2012
F65, Alexa Studio and more
Pure Digital has now been working on many Features completing Arriraw and F65 shoots for 2012.
Regards
Pure Digital 2012
Wednesday, 15 June 2011
A Few Best Men
Daniel Mulligan was hired as 2nd Unit DP for the Feature Production "A Few Best Men". The shoot was photographed on ARRI Alexa recording ARRIRAW to S.two OB1 data recorders. Pure Digital supplied all the data recording equipment plus full data workflows and back-up solutions. The shoot was London pick-ups for a Production that shot main unit in Sydney, Australia.




Monday, 13 June 2011
Mister Popper's Penguins!
Director Mark Waters and DP Florian Ballhaus have decided to use ARRI Alexa cameras and S.two’s OB-1 on-board recorder and complete file-based workflow for all principal photography on “Mister Popper’s Penguins” starring Jim Carey.
Sunday, 12 June 2011
OB-1 and Alexa ARRIRW
David Cronenberg has chosen OB-1 and Alexa ARRIRAW for his new feature film “Cosmopolis” in Canada right now.
Phil Lord is also directing “ 21 Jump Street ” with OB-1 and using FlashDock workflows.
“Freelancers” with Robert DeNiro is also currently shooting with Alexa and OB-1.
Phil Lord is also directing “ 21 Jump Street ” with OB-1 and using FlashDock workflows.
“Freelancers” with Robert DeNiro is also currently shooting with Alexa and OB-1.
Friday, 10 June 2011
Madam Butterfly 3D - Testing
Pure Digital supplies full data back-up services and OB-1 data recorders for another 3D shoot. This time we tested the F3s with 2 x Optimo Zooms recording 2 x 422 stereo feeds into 1 OB1 recorder. The shooting begins next week.

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